She would want me to sit and talk to her. She maintained she’d never marry again as she didn’t want to commit the ‘same mistakes twice’.ĭr Venugopal Nair, who was treating Priya for ‘seven’ years was quoted saying, “She was disturbed after her separation with her husband and required treatment… She was mentally upset due to problems in her life.
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Every experience, good or bad, is a great teacher, especially if you are in a creative field,” Priya was quoted saying in an interview to the TOI. “ Marriage, as an institution, is on the verge of crumbling. Kisse Miyan Biwi Ke, a unique marriage counselling show, hosted by Karan Razdan and Priya in the late ’80s, struck a chord amongst spouses battling marital issues.
#Mumbaicha faujdar marathi song serial
Gulzar’s feminist serial SwayamSiddh was another notable achievement.
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Zimmedar Kaun, also in the early ’80s, directed by Vijay Tendulkar, held heated debates on secularism, minorities and historical falsifications. The Priya Tendulkar Show was a pathbreaker in that, as host, she discussed social taboos and prejudice. Her titular act as a bourgeoisie housewife, who crusades against social injustice and consumer woes, courtesy a lethargic system became a Sunday sermon for family audiences.įrom gas cylinder shortages to fraudulent electricians, postmen, telephone wiremen… Rajani captured the travails of a middle-class existence and empowered women to avail of their due.Įkta Kapoor’s Hum Paanch (1995) was another popular sitcom, which had her play the protagonist’s dead wife, albeit chastising her husband from her garlanded frame.
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What made her an icon of sorts was her character of a whistle-blower in Basu Chatterjee’s Rajani (1985).